Kimberley restoration studio

mural restorer kimberley

FEBRUARY 2017 | Heather Summers

ON ARRIVING at mural artist Julian Bale’s backyard studio in the small town of Kimberley, you will be greeted by a trio of Western Australian black cockatoos, painted larger than life on an external wall.

The morning he was visited by MVG, they weren’t the only wildlife to have been seen on the premises. "I’ve had to evict a possum," said Julian, having accidentally left the door open the night before. Regardless of the unwanted visitor, the studio, newly converted from the town’s original old service station, is looking industrious.

A new mural is in progress on the back wall, of the late Alf Rowe, inventor. An iconic local character, Alf invented the first coin-operated petrol bowser.

A new resident to Kimberley, Julian moved from Ulverstone six months ago. Things fell into place quickly. After four and a half months renovating the house and studio, the new workspace officially opened on 13th December, also marking the 30th year of Sheffield’s Muralfest, alongside the release of a new book commemorating the event.

Julian’s involvement with the Sheffield festival goes back 22 years, and he now finds himself in the position of chief restorer of the now world-famous murals. He finds it interesting that the paintings, many of which feature historical events, have become an important part of Sheffield’s history in their own right, something he doesn’t take lightly.

When restoring the work of other artists, a lot of research is involved in order to recapture their technique and retain the integrity of the original piece.

In the course of restoring work by prominent artist John Lendis, Julian was pleased to have had access to video footage depicting the artist at work. "I could even see the way he mixed paint, using the lid off the tin as his palette."

Considering his history of working outside, it may seem incongruous for a mural artist to need a studio. However, things have changed a lot in the field over the years. A large percentage of murals are now painted on large panels, which are then installed. "Last year, weather restricted a lot of the work on restoration" he said, happy to have proper lighting and a controlled environment.

"A studio is a good idea. You have better light, everything is at your fingertips."

Having recently returned from a trip to Italy, Julian found Murano, North of Venice, particularly inspiring, highlighting the long history of frescoes and the way skills were passed on from generation to generation. To this end, Julian also intends to hold workshops in his new space, passing on the craft.

"In an historic part of Kimberley, near the old schoolhouse and saddlery, the studio is in a beautiful spot. ‘It’s a nice atmosphere for artists to come and work."

For information on Julian Bale’s work and workshops, visit www.julianbale.

Photo | Mike Moores